Frederick Augustus Hervey (1730 – 1803), known as the ‘The Earl
Bishop’, was Bishop of Cloyne (1767 – 1768) and Bishop of Derry (1768 – 1803).
In 1779 he became the 4th Earl of Bristol and owner of the family’s ancestral
home at Ickworth in Suffolk. As Bishop of Derry he was active, ecumenical and
philanthropic; he built splendid residences at Downhill and Ballyscullion,
which he adorned with works of art from all over Europe and particularly from
Italy. He was so captivated with the Temple of Vesta, at Tivoli near Rome, that
he constructed a copy of the temple at the edge of the cliffs at Downhill and
dedicated it to his cousin Frideswide Mussenden.
While not neglecting his luxurious tastes he spent large sums of money around Downhill making roads and assisting agriculture. In Derry he constructed a casino (summer house), erected a spire on St Columb’s Cathedral and was the driving force behind the construction of the first bridge over the Foyle.
While not neglecting his luxurious tastes he spent large sums of money around Downhill making roads and assisting agriculture. In Derry he constructed a casino (summer house), erected a spire on St Columb’s Cathedral and was the driving force behind the construction of the first bridge over the Foyle.
The Bishop took a lively interest
in the local scene. He was fascinated by vulcanology and was elected a Fellow
of the Royal Society for his work on interpreting the Giant’s Causeway. He had
an intense interest in Irish music and became the patron of Denis O’Hampsey, a
blind harper from Magilligan. Denis was a regular visitor to Downhill House to
entertain guests and the Bishop visited the harper’s humble cottage in
Magilligan.
Although a Bishop in the Church
of Ireland he favoured religious equality. He financially supported the
construction of not only his own churches but those of his Catholic, Methodist
and Presbyterian neighbours. He allowed Catholic priests to say Mass in the
Mussenden Temple, a provocative decision during the time of the Penal Laws. He
prepared the way for a series of Catholic Relief Acts to dismantle the Penal
Laws.
The Earl Bishop threw himself
ardently into Irish politics. He occupied a prominent position in the Irish
Volunteer Movement and attended a Volunteer National Convention in Dublin in
1783, when he proposed
legislative independence for the Irish Parliament and stood, unsuccessfully,
for election as the President of the Volunteers; his violent language at the
Convention led the government to contemplate his arrest. Subsequently he took
less interest in politics and spent his later years mainly in Germany, France
and Italy. He died at Albano in Italy and his remains were interred at Ickworth
Estate, near Bury St Edmunds, Suffolk, where an obelisk was erected to his
memory by the inhabitants of Derry.
2. GIANT'S CAUSEWAY
Frederick was almost killed by an ejected, volcanic rock that struck him in the arm. Vesuvius convinced Frederick that he should pursue his investigations into vulcanology. His wife remarked that his personality resembled a volcano in that he needed the occasional eruption to calm himself down.
In Frederick’s time the Causeway
was relatively unknown and unfrequented. In 1773 he and Antonio de Bittio, an
Italian draughtsman, explored the area around the Causeway and made a number of
sketches. At the time there was much argument as to the origins of the
Causeway: some stated that it had been constructed by a giant, Finn MacCool;
but others supported the view of Archbishop Ussher (Archbishop of Armagh (1625
– 1656)) that it dated back to 4,004 BC, the date of creation. The Earl Bishop,
as a result of his volcanic investigations in Italy, formed the view that it
had been caused by volcanic action. He distributed Bittio’s sketches to his
scientific contacts in Britain and Europe to gain support for his theory.
Frederick was to be made a Fellow of the Royal Society in recognition of his
scientific work. The Earl Bishop was to confirm the existence of similar volcanic
rocks on a visit to the Western Isles of Scotland giving some credence to the
folktale that Finn MacCool had built the Causeway from Ireland to Scotland.
The volcanic origin of this
entire section of the north coast so pleased Frederick that, when he acquired a
portion of church land on a dramatic outcrop just west of Coleraine, he decided
to build a house on it, Downhill House
3. DOWNHILL DEMESNE
When Frederick Hervey arrived in his diocese in 1768, it was a wild and isolated place. The City of Derry had a population of some 9,000; Coleraine and Limavady were rudimentary towns; Portstewart, Portrush, Bushmills and Articlave were hamlets and Castlerock did not exist; and the main road from Coleraine to Derry was a muddy lane. County Londonderry was regarded as one of the last outposts of the Empire before America.
It was Frederick’s interest in vulcanology, which attracted him to Downhill. By good fortune the land at Downhill was Glebe or Church Lands, which had been leased to tenants. When the lease on the land expired Frederick did not renew it and held the land in trust for his own use. About 1775 he began to build his country house on this huge patch of wild moorland at Downhill.
The energetic Bishop took a keen personal interest in the development of the estate during the 1770s and 1780s. A landscaped park, covering some 400 acres, provided a setting for his new house. Extensive lawns were made around the house; 300,000 trees were planted; streams were dammed to create lakes and cascades; and the park was enhanced by a series of classical buildings.
Downhill House or Castle is now a ruined shell, having
rapidly deteriorated since its abandonment after World War II. Both its
surviving architecture and its setting give more than a hint of the romantic
splendour, which the Bishop set out to achieve. The uninterrupted views over
the land and the sea greatly appealed to the Bishop. Work commenced on the
House in 1775 and was not completed until 1791. The finished design was largely
the work of the Bishop’s architect, Michael Shanahan from Cork. Other artisans
included James McBlain from Coleraine, who faced the whole structure with
sandstone from quarries at Ballycastle and Dungiven. Initially the House took
the form of a compact villa. As the Bishop’s collection of art grew so did the
need for space to display it and a new gallery was added to the House.
The Bishop’s visitors would either have driven into the
courtyard and made use of an interior entrance to the House or would have
ascended the steps on the south front, which led directly into the Lounging
Room. The principal room was the two-storey Gallery on the west side; it was
also on the west side that the Bishop had his private apartments. A series of
rooms along the east side was known as the Curates’ Corridor and was probably
for the use of children and visiting clergy. A fine semi-circular staircase in
the Hall provided access to the upper rooms; a coffered dome covered the Hall.
Downhill House was noted for the richness of its
decoration and the abundance of its works of art. Many of the rooms had
elaborate ceilings; the walls were covered with fine plasterwork; and exquisite
marble fireplaces adorned the living rooms. The plasterwork, the ceilings and
the well-stocked library were all destroyed in a fire in 1851.
The Bruce family inherited Downhill House on the death of
the Earl Bishop in 1803; they resided at Downhill until the 1920s. During World
War II it was used by the RAF. The property was sold, its contents auctioned
and the roof removed in 1949. The National Trust acquired the House in 1980, by
which time it had become an unstable and badly vandalised ruin. Work was
subsequently undertaken to secure a significant portion of the remaining fabric
and make it safe for the public.
Michael Shanahan, the Bishop’s architect, supervised the
construction of the Lions’ Gate around 1780 as the principal entrance to the
demesne. James McBlain, who had faced the whole structure of Downhill House,
carved the stonework. The gateway was originally flanked by two small lodges.
The two lions are in fact ounces (leopard-like animals), which formed part of
the Bishop’s coat of arms.
Bishop’s Gate
Michael Shanahan was also in charge of the construction of
this Gate and James McBlain carved the stonework. The Bishop named the Gate,
the Coleraine Battalion Arch, in honour of the Volunteer Movement, whose
liberal, reforming aims he strongly supported. The attractively laid out garden
and informal plantings around the Gate contain many interesting shrubs and
specimen trees. They are the fruits of the work of the warden, the late Jan
Eccles, who restored the bog garden created by Lady Bruce in 1910. A tunnel
links the garden with the southern part of the park, which was purchased in
1948 by the Forestry Service and subsequently planted with mainly softwoods.
Walled Garden
The location of the Garden was chosen to give some shelter
from the salt-laden winds. The Bishop’s architect, Michael Shanahan, was
adamant that a walled garden would be necessary if the enterprise was to have
any hope of success. The construction of the garden began in 1778, with the
enclosed area being enlarged in 1783. The rectangular garden was surrounded by
basalt walls, the internal faces of which incorporated brick coursings to
support lattice-work for fruit trees and climbing plants.
The Garden was divided into two by a wall with greenhouses
along its southern side. A number of small arches through the walls provided
pedestrian access. A dovecote was built in 1786 at the end of the main pathway
through the Garden.
Flowers, fruit, vegetables and herbs would have been grown
and the greenhouses would have provide more unusual fruit and vegetables such
as peaches, grapes and cucumbers as well as flowers for the house in winter.
In the 1870s and the early 20th century the
garden was altered and a series of walls was built to provide more shelter and
support additional greenhouses. The wall on the west side was demolished as
part of a road-widening scheme in the 1980s.
Dovecote
The Wall Garden was already in existence when David
McBlain, the son of James McBlain, built this structure in 1786; the dovecote
was clearly intended to close the vista at the end of the main path across the
Garden. An ice-house was constructed beneath the Dovecote; the original
intention was to construct it underneath the Mausoleum. The pond in the
adjacent field may have been dug at the same time to provide a convenient
source of ice as well as a drinking and bathing place for the doves.
Keeping doves was common practice on estates from the
medieval period to the 18th century as they provided a valuable
source of fresh meat and eggs. Their droppings were also highly prized as
garden manure. The dovecote accommodated about 100 pairs of birds in eight rows
of nest boxes with projecting brick perches arranged in a chequerboard pattern
around the walls. The birds came and went through a louvred opening on the
sheltered south side. Each pair produced two chicks about eight times a year.
The young were generally culled at four weeks old, when they were still covered
in down and their flesh was tender and succulent.
The ice-house is lined with brick and takes the form of an
upright cone with a tapering top. At the centre of the base there is a drain
and sump to release melted water via a trap designed to exclude vermin. In
frosty weather the chamber would be filled with ice from the pond, the ice
being broken into pieces before being rammed down and consolidated with hot
water and saltpetre into layers not more than 12 inches thick. Sawdust, straw
or chaff would have been spread between the layers of ice. When the level of
ice reached the entrance door its saucer-shaped top would be covered with a
large mat of straw or reeds. The area above was then used to store meat, game,
fish and poultry. The ice was also used in summer for making cold drinks and
frozen puddings. Entry to the ice-house would have been via a leather-lined
door equipped with a strong lock to deter thieves.
Filling the ice-house normally took one or two days and
was undertaken by all estate workers, usually supervised by the gardener. The
Bishop expended considerable sums on the whiskey required by the work force to
keep out the cold!
Mussenden Temple
The Temple was built between 1783 and 1785 and was named
in honour of the Bishop’s cousin, Mrs Frideswide Mussenden, who died at the age
of 22, in 1785, before the Temple was finished. Its spectacular position on the
cliff edge is an illustration of the 18th century desire to contrast
a sublime and romantic situation with a logical and civilised building.
The architect was Michael Shanahan, who based his design
on the Temple of Vesta at Tivoli. The building was constructed of local basalt
and faced with sandstone, which came by boat from Ballycastle. James McBlain
carved the basic structure, while his son David was responsible for the
decorative work. The Bishop’s coat of arms is over the door and the frieze is
decorated with a quotation (in letters originally covered in gold) from the
Roman poet Lucretius, translated by Dryden as:
‘Tis pleasant safely to behold from shore the rolling ship and hear the
tempest roar’.
The building was intended to be used as a library and the
walls were once lined with bookcases. The tolerance and generosity, for which
the Bishop was widely known, were demonstrated by the stipulation in his will
that the Temple should be used by local Roman Catholics to celebrate Mass.
The Bishop took a special delight in circular buildings
and used this form extensively at Downhill, where the domes of the original
house and much of its ornamentation, together with the Dovecote and the
Belvedere, all bear testimony to this partiality.
On a clear day a magnificent panorama unfolds from the
Temple: westwards along the golden strands of Downhill and Benone to the mouth
of Lough Foyle and the Donegal Hills; north-eastwards to Islay and Jura; and
eastwards across the mouth of the River Bann to Portstewart Strand, Portrush,
the Skerries and the Causeway Coast.
The Mausoleum
The Mausoleum, dedicated to the Bishop’s eldest brother George, Lord Lieutenant of Ireland, was erected between 1779 and 1783.
It was designed by Michael Shanahan and is closely modelled on a Roman mausoleum at St Remy in France. It was originally topped by a cupola and urn supported by eight Corinthian columns. A marble statue of the Lord Lieutenant stood underneath the cupola. Unfortunately the columns, cupola and statue were blown down in the Night of the Big Wind of 1839. The headless statue is now set within the informal gardens beside the Bishop’s Gate.
Black Glen
The Black Glen lies to the west of the demesne. A sizeable
pond was created in the Glen in the 1840s by excavation and the damming of a
small stream. It was stocked with fish and was intended as an ornamental
feature and a source of food. It is now home to mallard ducks and moorhens.
Belvedere
The Belvedere is an unusual circular battlement structure
built of roughly squared basalt with arches piercing the wall. Because of its
fine views along the coast it is likely that this was intended as a summer
house, with the rectangular building, which formerly existed on the west side,
serving as a tea house. The Belvedere was subsequently used for winnowing –
separating grain from chaff.
Dunboe Churchyard
The Old Churchyard at Dunboe
is an ancient Christian site. St Patrick is reputed to have founded the first
church here in the 5th century. A medieval church, built on the same
site in the 13th century, was in a state of disrepair when the
Clothworkers arrived in 1613; they provided £112:14:0 for its renovation. It
continued in use until 1689, when it was destroyed by the Earl of Antrim’s army
retreating from the Siege of Derry. St Paul’s Church in the village of
Articlave replaced it in 1691.
Hezlett House
Hezlett House was erected
in 1691 as the residence of the rector of St Paul’s, Articlave. The Hezlett
family took over the house in the middle of the 18th century, when a
new rectory, Dunboe House, was built for St Paul’s. The architect was
Michael Shanahan, who designed Downhill Castle. Hezlett House is now owned by
the National Trust.
In 1203 Dunboe Church was used as
a depository for the safe-keeping of a precious book. The book, encased in a
decorative metal shrine, had been rescued from the library of the nearby Abbey
at Duncrun, when it was attacked and destroyed by the Vikings. A story is told
that no one was permitted to open the shrine and read the book therein unless
it was a man who had never been born, and who rode a horse that had never been
foaled. The Earl Bishop reckoned that he was qualified to open the shrine as he
had been born by Caesarean operation and his horse had to be physically
extracted from its mother. The contents of the book, on the Druids, upset the
Earl Bishop so much that it is said that thereafter he never remained in the
same place for any length of time and he travelled relentlessly throughout
Europe
The old churchyard has a number
of interesting tombs. A tomb has been erected in memory of James McBlain, who
was involved in the construction of Downhill Castle and the Dovecote. Situated
in a corner of the graveyard is the huge family burial place of Sir Henry
Hervey Bruce, who inherited Downhill Castle from the Earl Bishop.
Bannbrook House
Bannbrook House, on the Cranagh Road, is an early plantation
house pre-dating Hezlett House. By 1761 this private residence had become Church
property and was used by Thomas Barnard, Rector/Archdeacon of Dunboe and
Maghera. Thomas was the son of Dr William Barnard, the Bishop of Derry, who
died in 1768. After Bishop Barnard’s death he was succeeded by the Earl Bishop
and the property eventually passed into the Hervey private estate. The Earl
Bishop had an extension made to it in 1792, in similar style to the Mussenden
Temple. It came into the possession of Rev Henry Hervey Bruce, who inherited
the Downhill estate on the death of the Earl Bishop.
4. BISHOP'S ROAD
Legend has it that Frederick built the
spectacular Bishop’s Roadwhich travels from Downhill across the top of
Benevanagh to Limavady. It is said that he built it so that he could enjoy the
dramatic views on his journeys to and from his Episcopal Palace in Derry. The
truth is more prosaic; the Road was a mountain access track for turf-cutting and
sheep-tending in the Bishop’s time and did not continue to Limavady. He did
contribute, however, to its improvement and made full use of it to exercise his
horse, first thing in the morning.
The construction offered
employment to a large workforce and was a forerunner of the Famine Relief
Schemes, which were introduced in the 1840s. Frederick brought work to an area
that had virtually no sources of employment, with a constant programme of not
only road construction but also wall, bridge, rectory and church building,
which soaked up much of his church income. But there was a method in his
generosity. He knew that happy, actively-engaged tenants were less likely to
create trouble than poverty-stricken, disengaged peasants. ‘If we employ the
idle’ he wrote, ‘they will make no riots and if we can fill their bellies, they
will no more open their mouths.’
One
of the best vantage points to appreciate the splendour of the Bishop’s Road is
at the Gortmore Viewpoint, which provides stunning views over the flat lands of
Magilligan, which were Glebe or Church lands, leased to the Gage Family by
successive Bishops of Derry from the 1630s. The Ordinance Survey of Ireland
selected these flat lands as the triangulation baseline for the mapping of
Ireland in 1827.
This is a land steeped in mythology: Manannan Mac Lir, the Irish Neptune, lived in the depths of Lough Foyle and navigated its waters in a metal boat; Mangan of the Golden Slipper walked across the waters from Magilligan Point to Greencastle without getting his feet wet; the Banshee of the Roe roamed the heights of Benevenagh; and the fairies resided on the notorious Tunn Banks. The remnants of three ancient churches dating to the 5th and 6th centuries are located at the foot of the cliffs: Screen; Tamlaghtard Old Church; and Duncrun Abbey. The Vikings stormed the Abbey in 1203, slaughtered the monks and devastated the priceless library. A Martello Tower, constructed at Magilligan Point in 1812, guards the entrance to Lough Foyle.
There are many amusing stories relating to the Bishop and
the strand at Downhill. It is said that the Bishop organised horse races for
his curates along it; the winner being appointed to a vacant parish. He also
organised an annual race between his Church of Ireland and Presbyterian ministers
along the strand. The Presbyterians were described as ‘lean, mean and hungry’
compared with his own ministers, who led a more comfortable existence and were
described as ‘well fed and portly’. The Presbyterians were victorious in the
races much to the amusement of Frederick, who said that he would need to
establish a riding school for them.This is a land steeped in mythology: Manannan Mac Lir, the Irish Neptune, lived in the depths of Lough Foyle and navigated its waters in a metal boat; Mangan of the Golden Slipper walked across the waters from Magilligan Point to Greencastle without getting his feet wet; the Banshee of the Roe roamed the heights of Benevenagh; and the fairies resided on the notorious Tunn Banks. The remnants of three ancient churches dating to the 5th and 6th centuries are located at the foot of the cliffs: Screen; Tamlaghtard Old Church; and Duncrun Abbey. The Vikings stormed the Abbey in 1203, slaughtered the monks and devastated the priceless library. A Martello Tower, constructed at Magilligan Point in 1812, guards the entrance to Lough Foyle.
5. TAMLAGHTARD
The old Church of Tamlaghtard, was one of three foundations in the Roe Valley attributed to St Colmcille. No trace can be found of the original church established by the Saint in the 6th century but the ruins of a medieval church stand on its foundations.
The old Church of Tamlaghtard, was one of three foundations in the Roe Valley attributed to St Colmcille. No trace can be found of the original church established by the Saint in the 6th century but the ruins of a medieval church stand on its foundations.
The medieval church was
used as a place of worship for the Protestant community until 1773 when a new
church, St Cadan’s, was erected in a more central part of the parish. St
Cadan’s is a simple three-bay church with a tower. The Church was built with assistance
from the Earl Bishop and it bears the hallmarks of his architect, Michael
Shanahan. St Cadan’s formed part of Frederick’s building programme and bears
striking architectural similarities to many churches all over his diocese. His
building programme was to earn him the title, ’the edifying Bishop’.
The Earl Bishop bestowed the old
church on the Roman Catholic community, a
provocative decision during the time of the anti-Catholic Penal Laws. The Roman
Catholic community made use of it until 1826, when the present Church of
St Aidan was built.
Tradition connects St Aidan with the original
church at Tamlaghtard. In 635 Aidan, an Irishman educated in Iona, went to
Lindisfarne (Holy Island), Northumbria at the request of King Oswald to
establish a Christian community in the Celtic tradition. Aidan died in 651 and
was buried on Holy Island. King Oswiu, Oswald’s successor, called a meeting of
the Synod of Whitby in 664 to decide whether to
follow Celtic or Roman usages in such matters as the calculation of the date of
Easter and the hairstyle of monks.
The Synod marked a vital
turning point in the development of the church in England. It decided in favour
of Rome because it believed that Rome followed the teaching of St. Peter, the
holder of the keys of heaven. The decision led to the acceptance of Roman usage
elsewhere in England and brought the English Church into close contact with the
Continent. Colmán, the abbot of Lindsfarne, and
his monks refused to change their Celtic practices and withdrew to Iona. Colmán
was allowed to take with him the relics of Aidan, who had been central in
establishing Celtic Christianity in Northumbria. Colmán returned to Ireland in
664 and deposited the relics of St Aidan at Tamlaghtard.
The grave of Denis
O’Hampsey stands alongside St Aidan’s grave. Denis (1695 – 1807) was one of
Ireland’s most distinguished harpers. He had the distinction of living in three
different centuries and marrying at the age of eighty six. Denis lived in a
cottage at Ballymaclary; the Earl Bishop gave him three guineas and land free
of rent to build his cottage. A close relationship developed between the Bard
and the Bishop; the Bishop was a frequent visitor to his humble cottage and
Denis was invited to Downhill Castle to entertain the Bishop and his guests.
The cemetery has also an
interesting grave of the Allisons, an early Planter family. In 1769
Joseph Allison became disillusioned with life in Magilligan after a visit from
his landlord’s agent. After having paid him the rent, Allison served him supper
with a silver spoon. As the agent departed he informed him if he could eat with
silver spoons then he could afford an increased rent. Members of the
Allison family set off for Philadelphia but were shipwrecked off Nova Scotia.
They made it to land, where the family prospered. A grandson founded the first
university in Canada, Mount Allison University. Descendants of the Allisons
still retain the silver spoons in Canada.
Near the present church of St Aidan’s is a holy well, which had its origins in pagan times. The change from paganism to Christianity was accomplished smoothly over a period of time with the minimum disruption to the old way of life. Churches were built alongside sacred pagan places and healing wells were rededicated to Christian saints.
Site of Denis O’Hampsey’s Cottage
Denis O’Hampsey, one of
Ireland’s most distinguished harpers, was born at Craigmore near Garvagh in
1695, lived in three different centuries and died in 1807 at the age of 112
years. Shortly after his birth his father moved to Tyrcrevan in Magilligan to
inherit the family lands. It was here that Denis was raised. When only three he
contacted smallpox and lost his sight. At an early age he decided to learn the
harp and at the age of 18 he commenced his professional career playing at the
homes of local landlords. He was later to undertake extensive tours through
Ireland and Scotland each lasting nine or ten years.
In 1792
Denis participated at the Belfast Harp Festival, where he attracted the
attention of Edward Bunting, who had been appointed to take down the airs
played at the Festival. Bunting paid a visit to the cottage of Denis,
immediately after the Festival, to collect additional ancient airs. It was
Frederick Hervey, the Earl Bishop, who gave Denis three guineas and land free
of rent at Ballymaclary to build his cottage. The Bishop and his family came to
the house-warming and his children danced to the harp. Denis was also a regular
visitor to Downhill Castle, where he entertained the Bishop’s guests. Frederick
Hervey was not the only member of the local gentry to visit the cottage and
many stopped their carriages outside his home to listen to his playing. Denis died
in his cottage in 1807 with his harp by his side. The harp is now preserved in
the Guinness Museum in Dublin, where it is proudly displayed in keeping with
its place in the history of Irish music. The harp symbol on all Guinness
advertising is a representation of the O’Hampsey harp.
During
Bunting’s visit to Magilligan Denis told him that he had married a Donegal
woman from Greencastle, when he was 86 years of age; he remarked to Bunting
that
A gravestone at St Aidan’s Church indicates that there was a daughter from the marriage.
‘it must have been the devil that
buckled us together – she is lame and I am blind’.
A gravestone at St Aidan’s Church indicates that there was a daughter from the marriage.
6. TAMLAGHTFINLAGAN CHURCH
Tamlaghtfinlagan Church is regarded as the best of all the churches for which Frederick Augustus
Hervey was responsible. It was built in 1791-1795 at the joint expense of the
Earl Bishop and a landlord, John Beresford. The Fishmongers’ Company also
contributed to the building. The architect appears to have been Michael
Shanahan but David McBlain played a part in the design of the tower and spire.
When the church was being built the Bishop counselled Beresford against making
it too large. A small congregation in a large building would be
‘as uncomfortable as ridiculous. The
building should decorate the country if it cannot receive it, and at least be a
monument and an example to posterity how well the Squire and the Bishop could
draw together’.
The interior
contains a number of monuments – the most renowned being that of Jane Hamilton,
wife of the Sir Randel Beresford, who had leased an estate from the
Fishmongers’ Company. There are also four monuments to members of the Sampson
family, two of whom were agents of the Fishmongers. Frederick is also
remembered; the roundels on the window nearest the Chancel are those of the
Earl Bishop.
The
churchyard contains the grave of Blind Jimmy McCurry, a fiddler, who played the
Londonderry Air in Main Street, Limavady one market day in 1851, when Jane Ross
annotated the melody for the first time. Nearby is the grave of Tom Nicholl, a
ploughman who discovered the Broighter Gold Hoard in 1896.The Hoard consists of
an exquisite gold boat with filigree oars, a decorative gold collar, a gold
tureen and several gold necklaces and bracelets.
Sadly
Frederick was never to see the completion of his church at Ballykelly; he had
left Ireland for good in 1791 before the building was finished. It was the Rev
Harry Bruce, who was Frederick’s cousin once removed, who benefitted from the completion
of the church. Harry had been a mediocre student at Trinity College and had
little prospect of advancement. He was in love with a Derry girl, Letita
Barnard, whose parents were close friends of Frederick’s. Since Harry had no
career prospects, the Barnards refused to let the young lovers marry. Frederick
intervened, making Harry rector of Tamlaghtfinlagan and thus giving him a
regular income.
When
Frederick went abroad in 1791, Harry acted as his agent and ran his estates for
twelve years. In the meantime the Bishop had fallen out with his immediate
family and he left all his Irish possessions to Harry, when he died in 1803.
Harry was now a person of substance and arrived in style at Tamlaghtfinlagan in
a coach, drawn by four horses, to conduct services
Tamlaghtfinlagan
old church lies over a mile to the south-east and stands on the site of a
monastery founded by St Colmcille in the 6th century. This medieval
ruin, which may date to the 13th century, was the predecessor of the
Garrison Church constructed on a virgin site at Walworth by the Fishmongers in
the early 17th century. This church was located near a castle
erected by the Fishmongers, which was surrounded by a bawn and four flankers,
three of which still exist.
The
Fishmongers embarked on a substantial programme of building, modernisation and
philanthropy in the early 19th century. During this period several
fine buildings were constructed at Ballykelly such as the Model Farm,
Ballykelly Presbyterian Church and Manse, Agent’s House, Surgeon’s House,
Agriculturist’s House and a row of Terrace Houses.
Two miles to
the North at the Roe Park Resort, Limavady is the site of the Convention of Drumceatt
(AD 590), where St Colmcille intervened successfully on behalf of the bards of
Ireland, who were threatened with eviction. Limavady is also closely associated
with the melody to Danny Boy, which was composed by a local harper, Rory Dall
O’Cahan
7. DERRY
Derry had a special appeal for Frederick Augustus Hervey,
the Earl Bishop. The city was the one place where he could do no wrong. When he
returned to the city in 1790 after a long absence on the continent, he was met
by an all-out civic celebration. In his speech to the people of Derry on that
occasion, Frederick proclaimed that for a Bishop
‘The softest down in his pillow is the love of his fellow citizens and
their applause the brightest jewel in his mitre.’
The Earl Bishop brought enlightenment and ecumenism to
Derry and religious tolerance permeated the life of the city during the final
decades of the 18th century. He also made many practical
contributions to the city: he was responsible for the construction of the first
bridge at Derry; he contributed to the building of the Long Tower Chapel; he
constructed a summer house or casino; and he refurbished the Bishop’s Palace
Foyle Bridge
Despite the fact that a settlement had existed at Derry since the sixth century, the first bridge to be built across the River Foyle was opened only in 1791.
Prior to this the only way of traversing the river was by ferry. One visitor to the city in 1759 noted that there were three large ferry boats in operation, one carrying 120 passengers and the other two around 80 passengers each.
Bishop Hervey was the first person to pursue the
construction of a bridge. The Bishop was involved in continuous correspondence
and discussion on the subject. Dissatisfied with his architect’s design for the
bridge he wrote to a friend in France to enquire if anyone could provide a plan
and elevation of the bridge at Schaffhausen in Switzerland, which he thought might
serve as a model for Derry. He was also in contact with a Sardinian architect,
Davis Duckart, regarding plans he had drawn up for a stone bridge. Work finally
commenced in 1789 when a Boston firm, Cox and Thompson, began the construction
of a wooden bridge. The bridge was officially opened in 1791 at a cost of
£16,294:6:0; the Bishop donated £1,000 to the Bridge Fund. There was an opening
device in the bridge to allow river traffic to proceed upstream. This was
necessitated because the citizens of Strabane had opposed the building of the
bridge on the grounds that it would interfere with their trade. A toll-house
was constructed on the bridge and complicated gas and water pipelines
installed, which had to be disconnected whenever shipping wished to move upstream.
By 1863 the wooden bridge had to be replaced. A new
bridge, the Carlisle Bridge, was built of iron and had two decks; the lower
level was used for connecting the various railway networks, which had set up
terminuses on both sides of the river. In 1933 the Carlisle Bridge was replaced
by a similar two-level structure named the Craigavon Bridge.
St Columb’s Cathedral
St Columb’s Cathedral was built between 1628 and 1633 by
the Honourable the Irish Society at the highest point inside the walled city.
The church was erected near the site of a medieval cathedral, the Tempull Mόr (Great Church), and was dedicated to St Colmcille, who established a Christian settlement in the city in the sixth century. In the entrance to the Cathedral a small stone, reputed to come from the Tempull Mόr, carries the inscription
The church was erected near the site of a medieval cathedral, the Tempull Mόr (Great Church), and was dedicated to St Colmcille, who established a Christian settlement in the city in the sixth century. In the entrance to the Cathedral a small stone, reputed to come from the Tempull Mόr, carries the inscription
‘the true God is in the Church and truly he
is to be worshipped’.
Nearby is the dedication stone with its inscription:
‘if stones could speak then londons prayse
should sound who built this church and cittie from the ground’.
The Cathedral was built by William Parrott at a cost of £3,800. St Columb's was the first Cathedral in the British Isles to have been built after the Reformation and is a fine example of 'Planter's Gothic'. There was practically no change in the appearance of the building from 1633 to 1776 when the Earl Bishop added 21 feet to the tower, and erected above this a very tall and graceful stone spire, making a total height of 221 feet. About 20 years afterwards, his addition to the tower showed signs of giving way. The whole structure had to be taken down and rebuilt, the tower being completed in 1802 and the spire being added about 20 years later.
The building played an extremely important role in the Siege of Derry in 1689, when two guns were mounted on the tower of the Cathedral for the defence of the city. Many items deriving from the Siege are displayed in the Cathedral including a hollow cannon-ball in which Jacobite surrender terms were fired into the city.
Frederick was enthroned at the Cathedral in March 1768 and there are several reminders of his period of office.
His wooden pew stands near the altar and the Chapter House Museum has an impressive desk, which belonged to the Bishop.
Intriguingly the Cathedral also has a pair of the Bishop's flintlock pistols.